Birth
Review by Jason Gaston
Not very often, a movie come along and really makes my skin crawl.
This movie, Birth, is one of them. I'm not kidding,
folks, actually sitting all the way through this horrible movie should
be considered an Olympian feat which I should be getting some kind of
award for.
This lump of
crap is about a widow, played by Nichole Kidman, who is about to be
married. She's happy and so, of course, something has to come along
and ruin it. That thing is, oddly enough, a ten year old boy claiming
to be her first husband reincarnated and, what's more, he wants to get
back into a relationship together.
Paging Mary Kay Letourneau! Your life story is on line one!
Granted, this could have been an interesting premise if Birth
was supposed to be a comedy, but it's not... even the really horrible
idea driving it doesn't bring any unintentional laughs. Birth
just may give you a serious case of the willies as it dances close to
the border of acceptable and leaps right into the land of Just Plain
Wrong.
Seriously, though, I've just got to say one thing... even if you
believe that the kid is really Kidman's husband reincarnated, how
freakin' creepy would her husband have been beforehand? I mean,
seriously... if this kid was really supposed to represent her husband
before death, he must have been a winner in the personality
department.
Come to think of it, Birth is an appropriate title because,
after sitting through this thinly veiled propaganda piece for
pedophilia, you will discover that the whole thing is just one big
cinematic miscarriage.
To quote Roger Ebert, I hated this movie. Hated, hated, hated, hated
it. I am literally speechless as to how... wrong this movie
was! This movie is just creepy... creepy like watching a brother and
sister open-mouth kiss or hearing about your grandmother's sexual
conquests.
Aside from the movie's plot which basically sets up an icky romance
between a 10-year-old boy and a 37-year-old woman, Birth is a
plodding monster of a movie, boring in execution when it's not being
disturbing, and slow-paced like it really has no clue where to go
next. This movie is an example of what a Kubrick movie would be like
if Kubrick had a bad story... beautiful cinematography, but crappy
plot.
Even if, by some longshot chance, you do end up actually getting
wrapped up in the contrived mystery of Birth, by the end of the
movie you're going to feel like you've been jerked around for two
hours.
The movie looks beautiful and the actors, God bless them, try their
best... but this movie is just a looser in all respects. If you wanted
the title to describe this movie in better detail, Afterbirth
would have been more appropriate.

