An American Werewolf in London
Review by Jason Gaston
While it may lack in style and atmosphere, An American
Werewolf in London single-handedly reinvented the werewolf
movie and horror movie for generations by blending amazing
transformation effects and a script that walked the thin line between
comedy and horror.
In case you
aren't familiar with the plot, here it is: David and Jack are best
friends from America touring Europe. While in North England, the two
of them are attacked by a creature. Jack is killed and David is taken
to a hospital where he learns from his now undead friend that he has
been bitten by a werewolf and will turn into one by the next full
moon.
David's only escape appears to be death, but how could you kill
yourself when you're getting hot and heavy with a beautiful British
nurse?
Obviously, David has his doubts, but they all wash away when the moon
rises and he begins to change.
Many argue the 1981 werewolf trio, Wolfen, The Howling,
and An American Werewolf in London are the last great werewolf
movies. Admittedly, I have to somewhat agree even though I have
enjoyed a couple of the modern offerings. Simply put, the holy hairy
trinity hasn't been matched in almost 25 years by anything that
Hollywood has put out. Not Ginger Snaps, not Bad Moon,
not Underworld, and not American Werewolf's own sequel,
An American Werewolf in Paris.
It's odd when you look at the movie because, plot-wise, there is
really nothing that makes it special or unusual. Granted, it's a good
plot... full of suspense and tragedy, but that doesn't really make it
unique from the other werewolf flicks.
What does set An American Werewolf in London apart from the
others is its near-perfect blend of horror and comedy. It's a thin
line... a line that kills many horror movies today. But American
Werewolf walks it skillfully thanks to a witty script, some oddball
moments, and some great actors... all mixed in with the gore, blood,
jumps, and scariness that makes a good horror movie horrific.
First the horror... I know a lot of people do not find this movie
frightening or scary. Well, to be honest... it's not scary or
frightening in the way you may think it is. The genius of American
Werewolf is that it spends a good ten minutes of the beginning of
the film giving the audience a crash course into Jack and David's
personality. John Landis lets us really get to know and really get to
like the two main characters. We care about what happens to this goofy
duo from the very beginning and, when things go from bad to worse and
finally straight to hell, you want them to make it through unscathed
and, when they don't... it hurts a little. When they are hurt, it
affects you personally and, after all... there's nothing worse than
watching someone you care about get hurt while there's nothing you can
do about it.
While a lot of scary movies usually populate their casts with easy
characters; Shallow caricatures you couldn't care less about who are
really only there to serve as machete fodder, American Werewolf
and the few great films like it devote more time into characterization
because, let's face it... the more you like someone, the more gruesome
it is to watch them splatter.
When the attack comes, it's swift, merciless, and bloody and it really
hits you in the gut since you've already identified with both of these
kids.
More horror in this movie comes from David's dreams... several strange
and disturbing sequences in the movie that accompany the unknowing
David as he begins his slow transformation. They are horrific and hard
to watch... especially when grotesque stormtrooper Nazis raid David's
home and slaughter his entire family... including a couple of cute
little kids.
Of course, one of the quintessential elements for a good horror movie
is gore and lots of it and that is one department that An American
Werewolf in London does not disappoint in. Flesh is ripped up,
blood is slung everywhere, and thanks to some still-impressive make-up
effects by Rock Baker, American Werewolf has some of the best
zombies of all time.
Of course, you cannot discuss this film without mentioning the amazing
transformation scene when David becomes the werewolf for the first
time. In an age without CGI or digital manipulation, the
transformation scene still holds its own when compared to today's
movies. In fact, in many cases... the transformation scene looks
better than most modern day special effects.
While an amazing scene, it's very raw and almost hard to watch because
of the flesh-stretching and bone popping that goes on in it. Still,
it's hard to look away at the impressive display.
The transformation scene also introduces a different kind of werewolf
all together. Instead of the two-legged creature that had been seen on
screen since the days of Lon Chaney's The Wolf-Man, Landis decided on
an sophisticated combination of different kinds of puppetry to create
a whole new kind of animal - pun intended. A four legged creature that
was more wolf than man. It's just another special touch that made this
movie unique and unforgettable.
As I stated earlier, another element that gives this movie another
huge boost is the addition of humor. While this kills a lot of horror
movies, An American Werewolf in London has just the right
amount to make you laugh when you're supposed to laugh while still
scaring you when you're supposed to be scared.
The dialogue is witty, memorable, and quotable and even the odd
situations... like an undead friend periodically paying visits all
while he's in a progressive state of decay or waking up naked in a zoo
after a long night of killing and eating people or a conversation with
zombies in a porno theater... are disturbing and yet humorous at the
same time.
You can't think of the werewolf movie without thinking of three
movies... The Wolf-man, The Howling, and An American
Werewolf in London. This is an important movie with poignancy,
tragedy, humor, and horror that single-handedly re-invented a movie
monster has has never ever been topped.
It's sick, gruesome, and definitely not for the easily squeamish. It's
definitely shocking for first-time viewers as well.
At the same time, it's funny, it's touching, and boasts some
incredible on-screen effects that are still cutting edge almost 25
years later.
This movie is a landmark. That much is certain. It's one of the most
prominent and celebrated horror movies of the ladder half of the 20th
century. It'll make you giggle and then make you jump in fright while
it actually contains a story that will keep you interested and, in
some ways, break your heart.
This is just a great movie that only seems to get better every time I
watch it.

